Finding New Paths: My Tale of Discovery

Finding New Paths: My Tale of Discovery

Finding New Paths: My Tale of Discovery

What is etched in clay is my story.

I saw a glimpse of it one day. I walked, in solitude, into the forest when I came upon it. A tablet with my story. I didn’t like what I read. I panicked. I felt unsafe. No; who wrote this for me? I wouldn’t have. Did I land here on this Earth accidentally and come upon a life already etched in clay?

My eyes darted. I slowly turned myself in a circle, my eyes looking up and down, my ears pricked for any noises, my skin for any reaction, and smell. What was that smell? It was damp. I am in the woods, and it has rained. The sun does not find me.

I found a stick, too flimsy. I found another one. Yes, this will do. Its tip is damp, jagged, broken from its branch. It told me it didn’t belong in this forest either.

Together we walked to the inscription in the clay. With all my determination, we tried to scratch the words, change the meaning, tell a new story.

The stick continued with all its might, with my strength behind it. My feet firm on the ground, pushing, my legs strong for balance and to provide additional support. My torso leaning, my shoulders, arms, hands, fingers holding the stick, pushing against the clay.

But the stick broke and fell to the ground. “I’m sorry I let you down,” we said simultaneously.

Then it told me, “Find the stream, but you must find a way to gather its gift.”

“But how?” I respond, my eyes searching.

Desperately, I get the urge to move. An anger washes over me; how can my life be already written, I did not plan it. I kick the tablet with all my might. Kick, kick, kick. Three times.

Then I walk over to it and move behind it. It’s resting on a fallen tree, so innocent, so naturally.

Who am I to change it? And still, I must.

I look around. A skinny tree is behind me, fighting for its place in the forest, reaching for the sun. It is not too young. It can help.

I grasp its trunk. Its deciduous leaves greet me with a gentle song. It’s a birch, I realize, my favorite tree.

“I come in peace, my friend,” I say to it and bow my head. “This tablet has a story etched on its face, claiming to be my life unfolding. But I do not like what comes next. I’ve never belonged, you know, but there is cruelty in its script.”

The tree’s leaves rustled and stood strong, and still. I leaned in and gave it a kiss. Its papery surface felt smooth on my lips.

“Thank you,” I whisper.

I put my hand against it again and push with my foot, pulling all the strength from body and the birch tree’s steadiness.

Yes! It falls to the ground. I pat the tree and smirk, then walk back over to the tablet. The words are now hidden.

So, what does this mean? I look around for an answer. I stand in front of it, legs spread out, my arms both outstretched, and I close my eyes.

I see a stone come into view in my mind’s eye. I open my eyes, bring my feet together and lower my arms.

“I’ll be back,” I announce, then pivot and walk away.

The ground beneath me is soft. The composted leaves and needles cushion my steps.

From the corner of my left eye, I see a set of rocks stacked in front of the trunk of an old oak tree. I immediately go over. I kneel before it.

“Thank you. I’ve always believed in rocks. I love you. You’re magical.”

I pull out my shirt to create a pocket to carry.

I take one stone at a time, until I could hold no more.

“I’ll be back,” I say and walk back. But where is it? I’m sure it was here.

Carrying my rocks, held in my shirt, I walk around. But now I am lost.

How far did I walk?

How could this be?

I look for my birch and the fallen tree.

My arm feels tired. I look for a place to sit.

In the near distance, I see another fallen tree. I walk to it, my legs feel heavy. I’m dragging.

I crouch down and gently place my rocks on the ground. I sit on the tree’s trunk and rest. I notice the light. It is fading. I must exit the forest. I search for a clearing to walk toward that is yet unseen.

Can I really leave my story behind?


Author’s Note: This story emerged from a moment of reckoning—a time when I questioned the path that seemed laid out before me. I wrote it as a way of exploring choice, resistance, and the quiet possibility of renewal.

A Contrast of Personalities

A Contrast of Personalities

A Contrast of Personalities

This piece emerged from a writing exercise exploring extremes through repetition. The challenge was to begin each sentence with the same phrase, crafting one ‘good,’ one ‘bad,’ and one blending both into a complex narrative with a backstory.

Alvin is the kind of person who always pees in the shower. Alvin is the kind of person who swears in front of children. Alvin is the kind of person who punches monkeys. Alvin is the kind of person who shits in the woods. Alvin is the kind of person who licks engine oil. Alvin is the kind of person who always runs red lights. Alvin is the kind of person who has road rage. Alvin is the kind of person who votes for Trump. Alvin is the kind of person who loves being misogynistic, racist, homophobic, and transphobic. Alvin is the kind of person who draws swastikas. Alvin is the kind of person who doesn’t wear a condom and spreads STDs. Alvin is the kind of person they call a deadbeat dad. Alvin is the kind of person who cheated his ex-wife out of their house.

Mandy is the kind of person who whispers sweet nothings in your ear. Mandy is the kind of person who makes cut-out heart sandwiches. Mandy is the kind of person who puts six spoonfuls of sugar in her coffee. Mandy is the kind of person who mows your lawn and spells “I love you” in the grass. Mandy is the kind of person who jumps on the mic to declare her love for you to everyone in the room. Mandy always canvases in Pennsylvania during election time. Mandy always jumps in front of danger to protect you. Mandy is the kind of person who writes handwritten letters to everyone in her address book every Saturday night. Mandy is the kind of person who dresses up at parties.

Sandy is the kind of person who sneaks into a different movie—and then pays it forward. Sandy is the kind of person who sings loudly during movies—and buys popcorn for everyone in her row. Sandy is the kind of person who stiffs the cab driver—and tips the barista generously. Sandy is the kind of person who crosses the street outside the crosswalk—and always thanks drivers for stopping. Sandy is the kind of person who steals candy at the counter—and buys a newspaper to stay informed. Sandy is the kind of person who tells you to mind your fucking business—and massages your shoulders. Sandy is the kind of person who pays her bills late—and checks on her elderly neighbor. Sandy is the kind of person who drives through the yard after it rains, leaving deep muddy tracks—and makes you breakfast in bed. Sandy is the kind of person who cheats at Pinochle—and brings all the snacks. Sandy is the kind of person who unleashes rats in her enemies’ basements—and takes your dogs for a walk. Sandy is the kind of person who sues you—and covers your attorney’s fees. Sandy is the kind of person who burns the grilled cheese—and scrapes off the burnt bits.

Sandy had a terrible temper, but she always felt guilty. Her instincts told her to do something bad, but she always balanced it out. One day, the rat situation got out of hand. It took over her entire house and then the town. The town exterminator had to pull in help from neighboring areas, and in the end, they had to burn the entire town to the ground.

Why was Sandy like this? As a child, Sandy was kept in a cage in her parents’ home. They whipped her every time she made a mistake. She spent 1,000 days in that cage, marking each one on the wall until she was finally rescued. When the police took her parents away in handcuffs, Sandy told the officer, “Thank you very much. You rescued me. I’m very grateful.”

Her foster family tried to help her through intensive therapy, but it was too late. The trauma had rewired her. Sandy was manipulative. She never got caught, and someone else always took the blame. Sandy would watch and snicker before doing something kind to alleviate her guilt.

Eventually, Sandy became the CEO of a health insurance company. She denied coverage, causing people to spiral into medical debt and bankruptcy. But then she would write each of them a letter, full of kind words about how much she cared. When AI came into play, Sandy was particularly thrilled. The algorithms had a 90% error rate with denials, which maximized her profit. With that extra profit, Sandy built a morgue.

Through the Shadows: A Triptych of Poems

Through the Shadows: A Triptych of Poems

Through the Shadows: A Triptych of Poems

Erasure Poetry

These erasure poems are created from Mary Oliver’s original works: ‘The Moths,’ ‘Spring,’ and ‘Hearing of Your Illness’ from Three Poems for James Wright. The words and format are my artistic interpretations inspired by her poetry.

Erasure poetry allows me to engage with existing works in a deeply personal way, revealing hidden layers of meaning and emotion within Mary Oliver’s already exquisite poetry. Each poem below reflects a conversation between her words and my creative voice.

The Kind that Glimmers

Erasure Poem from Mary Oliver’s “The Moths

There’s a kind that glimmers.
The forest
The pink
Rising
Anything leads

More, more energy.
I was
Running
I stopped.

Unbearable the world,
The pain.

I noticed the forest.
The moths fluttering
Shadows to my reflection.

Green wings
Burn brightly.

Sometimes the dawn
Motionless
In those dark halls.

A solitary figure walking through a stark beam of light in a dark urban space, symbolizing resilience and the journey through shadow and light.

The Bear’s Silence

Erasure Poem from Mary Oliver’s “Spring

A bear
Is staring
All night.

Four fists
Flicking the gravel
Touching the cold one—
This world.

Rising,
A black ledge.
Her claws
Silence the trees.

Whatever
Life poems its music—
It’s glass
Dazzling,
Breathing.

I think,
Wordlessness.
Perfect.

The silhouette of a woman in soft focus, her profile illuminated by diffused light against a shadowy background, evoking themes of solitude and introspection.

Grief’s Song

Erasure Poem from Mary Oliver’s “Hearing of Your Illness

Your illness—
A broken wing.
Fall,
That hesitation
Rising.

I went to Ohio.
Nothing was there.
Trapped, unable,
The creek
Dark breathed fast.
Red blossoms

Lay down in a rank field.
Darkness.
Moment by moment
I felt better.

Pain, they knew,
Would have longed—
The hunger,
Flowing.

They loved you
And waited,
A small pulse—
Their song.

I learned,
With grief,
You went home.