I cannot plan tomorrow

I cannot plan tomorrow

I cannot plan tomorrow

Today I sit here
watching my day as I felt it
in my body.
My hand feels swollen, but I know
it’s not.
It’s stolen from me.
A function. A strength.
At that moment I couldn’t write,
but now I can.

My hands are feathers
carried by the wind.
I land in a dirty gutter.
I land on a bed of flowers.
But nothing remains the same.

I feel it coming.
I am standing in front of a herd
of buffalo.
Ugly. Smelly. Heavy. Gross.
I am them. They are me.

I cannot plan tomorrow;
I do not know how I’ll feel.
Next week fine; help is on the way.
I lie back, turning, the seat
curved against me.
My seat belt rubs, chafing my neck.
This too? It is too much.
Will you drive me? What if, what won’t.
I’m tired.

Sometimes I am under my house.
The soil is sandy, pebbles
push into me.
I feel its weight.
Don’t move across the house.
It breaks my bones.

Please take my wrist
and pull me gently.
Let the rain wash over me.
My anger, my sadness, my fear—
wash away.

Today I will smile.
I’ll push through.
My video goes nowhere.
Who will understand
I do everything. I do nothing.

Tom opens the floor.
He’s taking me bit by bit.
I don’t see him.
He steals from me.
I cannot stop him.
I don’t see where he is.

He’s in my hand.
He’s in my thigh.
He’s in my voice.
He’s in my breath.
Salivating on me.
I am wet.
I am here.
I cannot stop and so I go.

Which Stuffed Bunny Today

Which Stuffed Bunny Today

It all began with a stuffed bunny.
I saw it on the shelf,
I saw it in a memory,
I saw it in a bin,
I saw it in a photo
on my phone.

Memories are fleeting
moments.

Hanging from a branch,
I feel the air surrounding me,
going through me.

I reach out to grasp it
with my outstretched arm.

With my hand that cannot close,
I watch it float by,
collecting on a cloud.

It falls
with the donkey,
the wolf, the puppy,
the muskrat.

In a pile of leaves,
wet from their winter-long slumber,
I pick up my stuffed bunny
with its leaf debris.
It clings. It’s dirty.

I turn my head, my mouth
following,
twisting in disgust.

Let go and love me,
it cries.
 

It’s pale pink, almost lavender,
cozy like a baby blanket.

No, I can’t reply.

I drop it, walk away,
regretting my rejection.

I cry and fall to the ground.
I feel the earth’s wet bedding,
seeping into me.

The air brushes past me,
wiping my tears.

I’m sorry, I say.
but it doesn’t hear me.
It’s moved on
in a zen moment.

But there is my abandoned
stuffed bunny, lying
alone in the leaf litter.

I’m sorry, I say,
and it sheds a tear.

But I am wet, as it rains,
and I watch my stuffed bunny
and wonder if I can
walk away.

* * *

All the Places You Couldn’t Leave

All the Places You Couldn’t Leave

All the Places You Couldn’t Leave

Traveling through memory for the unhappy place. From a school bus turned home in humid, mosquito and snaked rural Tennessee, to being forced to move into your big girl bed when your baby brother stole your crib, climbing in and kicking until your parents rushed into see why the baby was crying, to hiding from your third grade teacher under the dark, cozy, quiet table with the half-wall behind it, to trapped in the kitchen with your drunk Nana slurring her words, to the loneliness of junior high + high school, loud hallways, screeching lockers, and the overwhelming scent of puberty. 

Feeling trapped. That’s your unhappy place. The 7th grade guidance counselor’s words stuck on repeat: “There are two ways to look at things. Glass half full or glass half empty. You’re a glass half empty person.”

Thanks for the update. How could it be anything else when that unhappy place is in your mind?

Don’t forget your childhood home, trapping you in dependence. Sneaking out the window to nowhere. Skipping school to drink coffee and smoke cigarettes at Classé Café, in complicit Amherst, MA, hanging with college students who exhibited their freedom.

Runaway to Boston one school morning only to call your grandpa to pick you up. Visits during the summer and on weekends. The chlorine smell from Nana + Grandpa’s pool, crisp, burnt grass dry and poking under your footstep, the burn of the hot July sun. A constant, Nana’s cigarettes, smoke filling the air, choking your senses.

The sacrifice of friendships and relationships where you put your needs last, to classes, courses, and jobs, and being bored by the mundane, to looking 14, using a fake ID to get into a 21+ club and not being allowed to go in. You yearned to feel the beat thumping through your body, as you dance the night away, with friends, elbowing some men away, sometimes making a sultry connection.

Those were your formative years. Threads through time: tangled in relationships where you often lost yourself, drawn into patterns you didn’t know how to escape. Longing for elsewhere, always carrying a quiet ache. The overwhelm that creeps in, unannounced.

That unhappy place actually follows you, sorry to say. 

Never satisfied, disappointed, overwhelmed, frustrated. It arrives in a moment as the inviting aroma of brewing coffee turns sour when the half & half separates, your face cringing, knowing the taste will be sour, not sweet from the cream, as it should, filling your taste buds with heaven. 

Unhappy when in those moments of love, lust, and bonding to a misunderstood word turning into a fight through a bed of sweat; loud, angry words piercing your ears, your heart.

Struggling to pay bills, loneliness, never reaching a goal. But you thought you knew your unhappy place— but it all changed when you read in your portal the EMG spurted out a suspicion of a terminal disease.

All of a sudden, all of those unhappy places became memories to hold onto —deep, ingrained memories to reexplore.

How everything changes when the worst thing happens. Now you know your unhappy place lands in your body as it dies away, with the twitches and pulsations on your body, the slow dissolve of muscle memory.

What Are You Waiting For?

What Are You Waiting For?

What Are You Waiting For?

Exactly. What am I waiting for?

I’ve waited long enough, and I don’t want my life to pass me by any longer.
I do not have a day to spare.

I’ll mourn the loss of waiting, but I can’t show up today.

You’re not ready.
Will you ever be?

Haven’t I waited long enough?
Aren’t you asking too much?

I’ve waited and waited.
I am Godot. I am a pebble. I am a mountain.
And now it’s time to move.

Your request for more waiting time is too much to bear; I have no time.
My life is ending, and yet still I wait.

The waiting door has closed, and there are only new possibilities.
It was in the ask that you lost me. It was too much.
No more.

I’ll always love you. This I know is true.
But this time, I’ll love you from the future’s trail.
My waiting time is over.



Through the Shadows: A Triptych of Poems

Through the Shadows: A Triptych of Poems

Through the Shadows: A Triptych of Poems

Erasure Poetry

These erasure poems are created from Mary Oliver’s original works: ‘The Moths,’ ‘Spring,’ and ‘Hearing of Your Illness’ from Three Poems for James Wright. The words and format are my artistic interpretations inspired by her poetry.

Erasure poetry allows me to engage with existing works in a deeply personal way, revealing hidden layers of meaning and emotion within Mary Oliver’s already exquisite poetry. Each poem below reflects a conversation between her words and my creative voice.

The Kind that Glimmers

Erasure Poem from Mary Oliver’s “The Moths

There’s a kind that glimmers.
The forest
The pink
Rising
Anything leads

More, more energy.
I was
Running
I stopped.

Unbearable the world,
The pain.

I noticed the forest.
The moths fluttering
Shadows to my reflection.

Green wings
Burn brightly.

Sometimes the dawn
Motionless
In those dark halls.

A solitary figure walking through a stark beam of light in a dark urban space, symbolizing resilience and the journey through shadow and light.

The Bear’s Silence

Erasure Poem from Mary Oliver’s “Spring

A bear
Is staring
All night.

Four fists
Flicking the gravel
Touching the cold one—
This world.

Rising,
A black ledge.
Her claws
Silence the trees.

Whatever
Life poems its music—
It’s glass
Dazzling,
Breathing.

I think,
Wordlessness.
Perfect.

The silhouette of a woman in soft focus, her profile illuminated by diffused light against a shadowy background, evoking themes of solitude and introspection.

Grief’s Song

Erasure Poem from Mary Oliver’s “Hearing of Your Illness

Your illness—
A broken wing.
Fall,
That hesitation
Rising.

I went to Ohio.
Nothing was there.
Trapped, unable,
The creek
Dark breathed fast.
Red blossoms

Lay down in a rank field.
Darkness.
Moment by moment
I felt better.

Pain, they knew,
Would have longed—
The hunger,
Flowing.

They loved you
And waited,
A small pulse—
Their song.

I learned,
With grief,
You went home.