The Night I Met Jack

The Night I Met Jack

The Night I Met Jack

I remember the night I met Jack. It was sometime after 1:00 a.m. on November 30th, 1999. Christina and I had been hanging out after work at the downstairs bar at Penang’s, a Malaysian restaurant on the Upper West Side of Manhattan. The bartenders there treated us well. Was it free drinks, extra booze, or engaged conversation? It’s hard to recall, probably a combination. The restaurant closed at 1:00 am, and Craig invited us to meet him after work at a bar down the street. We went ahead of Craig to Peter’s on Columbus Avenue between 68th and 69th streets. I was warm from the Cosmopolitans and didn’t notice the cold November night. The taxis and cars whirled past us. 

Christina had a crush on Craig, but Craig had a crush on me.

Craig walked in and breezed past us without a glance. Christina pulled her sad puppy dog face. “He’s ignoring me,” she whined. Craig was talking to a couple of guys – one of them was Jack, my future husband.

I was pretty sassy back then. I walked up to Craig and said, “Hey, Craig, you walked right past us. Is that any way to treat your friends?” I teased.

Craig, with his blonde rockabilly hair, smiled at me, his grin wide. “Hey, meet my friends, Andrew and Jack. Jack’s in the band RoxVox.”

They both said hello, and I immediately had a visceral reaction to the tall man with splotchy blond streaks in his dark hair. His skin was pale and effervescent. My heart fluttered, my gut tightened, and a smile painted my face.

“Oh, cool. Well, nice to meet you guys.”  I said nonchalantly. “Say, do you want to dance?” I said to the man named Jack.

He smiled and spoke with a British accent. “Where are we going to dance?”

“Outside on the street! I have a boombox with mad bass. We’ll throw a dance party on the street.”

The three men grinned. “Sure!” They said, like obedient dogs.

I pulled my boombox out of my handbag and expanded it to half my size. “Could one of you carry it? It’s always a bit awkward when I have to do it myself.”

“No problem,” the British guy said to me. “Can I get you a drink?”

“Sure, I’ll have a cosmo,” I said, locking my eyes with his.

“You’re gorgeous,” he said, his sultry voice luring me. I blushed.

We had a couple of drinks at the bar. Poor Christina was sitting at the end of the bar, nursing her drink, looking down, and concentrating on her drink. Poor self-pitying, Christina. She’s missing out on a good time.

“Hey, Christina, come join us!” I encouraged, keeping an eye on Jack, as he would never leave my sight now.

Andrew said, “I’m ready to dance with you, babe.” I glared at him.

“I have a name. Don’t call me babe.”

“Sorry. Yes. I just got carried away,” he said solemnly.

The five of us walked out of the bar, drinks in hand. Jack carried the boombox. I like him, I thought to myself. We got outside, and I put on the beats. Kenny Loggins’ “Footloose” blasted out, and Christina and Andrew started dancing. Blood rushed to my cheeks; so embarrassing.

“Oh, that wasn’t supposed to be there! That was a joke from a dance class earlier.” I switched discs. This time, it was Moby. Moby I could groove to. I started dancing with Jack. He was a fierce dancer, and the three others stopped and watched us. Soon, the 2:00 a.m. crowd circled around us, drawn in by the music and the energy of our impromptu street performance.

Someone from an apartment above yelled out of the window, “If you don’t shut up, I’m calling the cops.”

Jack turned down the music.

“Hey, let’s go back to my place and order Chinese food,” said Andrew, his corkscrew curls bouncing on his shoulders.

Jack looked at me. “Are you coming?” His almond-shaped eyes mesmerized me. I smiled at him. “Sure, I’m game, but I don’t want Chinese food.”

“Yeah, me neither. I never eat and drink,” he said to me, a slight smile parted his lips.

I folded the boombox back into my bag, and we started to walk down Columbus Avenue to Andrew’s place. The air hung heavy with the scent of damp concrete and a hint of cigarette smoke, the remnants of a bustling evening fading into the quiet of the late hour. The night air was crisp and biting, carrying the faintest whisper of the Hudson River in the distance, mingling with the earthy coolness of Central Park just a block away. I was tipsy and twisted my ankle on a curb in my 4” heeled boots.

“Ouch!” I said, leaning down, rubbing the pain away. “I don’t know if I can put pressure on it,” I said, discouraged.

The three men all said, “I’ll carry you!”

I looked at the three of them: Andrew with his salt and pepper corkscrew hair, Craig with his Colgate smile, and Jack, perfect in every way. “Sure, thanks, Jack,” I jumped on his back, and he carried me to Andrew’s place. I rested my head on his broad shoulders; his leather jacket cooled my flushed cheeks. 

Christina was lagging behind, whining. Poor Christina. “Wait for me!” She complained.

We arrived at Andrew’s apartment. Jack set me down gently, and I smiled up at him. We sat down on Andrew’s L-shaped black velour couch; the air hung heavy with the scent of stale cigarettes. Jack brought me a drink from the kitchen and sat beside me. 

Christina sat down next to me on the other side. “Craig’s not talking to me. He doesn’t like me. Will you talk to him?” she pleaded.

I leaned into her and answered quietly, sympathetically, “Go talk to him yourself.” Christina moped and took another sip of her drink.

Jack put my hand in his, and I felt an electric jolt of energy, like the start of something I couldn’t yet define. I felt a connection to him, one that would never leave me. The rest is history.

A Joyless Search

A Joyless Search

A Joyless Search

SETTING: A cluttered living room. The furniture is slightly askew, cushions are out of place, and books lie open on the coffee table. A step stool is in the corner. All the lights are on, casting a bright glow over the chaos.

TIME: June 2025

AT RISE: PENELOPE stands on the step stool, peeking behind the bookcase. ROGER is on his hands and knees, looking under the couch. He scoots across the floor, lifts the cushions one by one, and peers behind them. PENELOPE moves the stool to the window and climbs again, peeking behind the curtains. ROGER moves to the coffee table, flipping through books and lifting knickknacks. PENELOPE walks over to ROGER, lifts the back of his shirt, and ruffles his hair.

PENELOPE

(Frustrated) Can you see her?

ROGER

(Stopping, earnest) No, I can’t.

PENELOPE

(Sighing) I can’t either.

ROGER

(Flustered, a little out of breath) I’m looking everywhere. There’s no sign of her.

PENELOPE

(Stepping back, shouting) Joy! Joy! Where are you? Come out, Joy. Come back to us!

ROGER nods in agreement, searching half-heartedly now.

PENELOPE

(Sadly, looking at ROGER) I can’t find Joy anywhere. Maybe she really is gone.

ROGER

(Putting an arm around her) She might be. There may never be joy in our lives again.

PENELOPE

(Looking down, shaking her head) I can’t imagine we’ll never see Joy again. This is too much. This is so sad.

ROGER

(Slowly nodding) Yes. It’s joyless. We are without Joy. There is no Joy here.

PENELOPE

(Resolute) We can’t just accept this, Roger. I can’t stand not having any joy in my life.

ROGER

(Sighing) I know. But we have to face facts. Joy is not here. Joy is gone. Forever.

PENELOPE starts fixing the cushions on the couch. She sits down heavily. ROGER follows suit, fixing the cushions beside her. He sits next to her and puts a hand on her knee.

PENELOPE

(Speaking softly, staring into the distance) I can’t imagine. We must have joy in our lives. What are we going to do without Joy?

ROGER

(Shrugging, looking at her) I don’t know.

PENELOPE looks up at ROGER, then slowly turns to face him. She takes his hand.

PENELOPE

(Musing) Maybe… maybe we should find more ways to bring joy into our lives. Let’s go to the bedroom. Let’s have sex. Let’s try to make a baby. We can name the baby Joy. That way, we’ll bring Joy back into our lives.

ROGER

(Smiling) Why go to the bedroom? We can make Joy right here on the couch.

PENELOPE

(Laughing, playfully hitting him) Oh, Roger, you sly fox. You know I could never do that. No, we’ll make a new Joy in the bedroom.

ROGER

(Smiling mischievously) What if she comes back?

PENELOPE

(Resolute) We need to face facts. The old Joy is gone. All we have now is the chance to make our own.

ROGER

(Chuckling) It’s a good idea, Penelope. But what if the baby is a boy? We can’t have Joy then.

PENELOPE

(Shaking her head) Don’t be silly, ROGER. Joy is not gendered. Joy can be a girl, boy, intersex, or non-binary. It doesn’t matter. We will bring Joy back to us no matter what.

ROGER

(Hugging her tightly) You’re right. It doesn’t matter what Joy looks like. We just need Joy back.

PENELOPE

(Smiling, standing up, and taking his hand) Come on. Let’s go.

They exit hand in hand, leaving the messy room behind.

BLACKOUT



Zoe’s Throne

Zoe’s Throne

Zoe’s Throne

Zoe sat quietly by the side of the road, she sat upon her throne—a rock large enough to be that throne. It was larger than a chair, but not as big as a mountain. 

The rock had been there for generations, but only there for Zoe. The throne was her best secret, one of many, we’ll come to find out. She wouldn’t tell you about the time she crawled under the road or the time she kissed Billy Joe on the cheek because he made her laugh. That was a rare, spontaneous moment; usually, she planned things more carefully.

She first found the throne while hiding from her older brother. It had a sort of seat carved by time on itself. It was not soft, as you would imagine with a rock. She spoke to it, listening for its story. 

She guessed its story began long before humans, maybe even before the dinosaurs. Rocks came first, after all. Rocks come in all shapes and sizes, just like people, and they evolve, too, over time, yet always keeping their personality from their inception. 

Zoe thought it was silly that people didn’t see how similar rocks and humans were. Or maybe they did, and she just hadn’t learned it in school yet. “Stupid school,” she told her rock. “They never teach the interesting stuff.” Zoe saved her best thoughts for her rock instead. That’s why she always stopped at her throne, lost in the woods for all to find—but only Zoe did, because others were too busy to notice.

Zoe didn’t mind keeping the rock to herself, a place to meditate in the quiet woods when the noises became too loud. She slept on the floor at home. She likes hard surfaces, yet she is not hard herself, but rather, she is gentle and kind. Kind, like the time she sang to a bird that landed on her throne. Every spring, she waited for the bird, but one year it didn’t return. She shouted her song, “Three Little Birds Upon My Doorstep,” hoping it would hear, but the bird never came. The throne and Zoe sat there crying together. After that, Zoe brought her sketchbook and sketched whatever she saw, like the bear she never finished drawing. We aren’t sure if that’s where the story ended.

Zoe shared her stories with her throne: a princess who saved herself, a dinosaur who only slept on Sundays, a frog who wore goggles because he hated getting water in his eyes. She offered snacks to the rock. It was passive, receptive, and reserved, yet it listened in a way only a throne sharing the DNA of a little girl could. Sometimes, Zoe yelled, “Why won’t you listen to me? You never listen!” But all the throne did was listen. She threw pebbles at it when she got mad, and the rock stood silent, accepting.

Zoe wondered if she could ever be as wise as her throne, feeling sorry for herself. 

She sat beside it, dejected. She wondered if she could ever have a best friend like her throne.“But you don’t even have a name, do you?” she whispered. The throne, as per usual, didn’t reply.

“If you won’t tell me your name, I’ll name you myself. You’re…you’re…you’re… stupid. No, I’m sorry. That was mean. You didn’t deserve that. I’m the stupid one.” She slapped herself in the face. “I want to call you…” She paused, a frown creeping over her face as she noticed the fresh spray-painted letters: Kilroy was here.

“Kilroy? Who’s Kilroy? Do you have other visitors? Aren’t you loyal to me?” she demanded. “Fine. I’ll call you Traitor!” And she crossed her arms across her body and pouted.

Then she looked at her rock with sympathy, “Oh, you didn’t invite Kilroy.”

 “Oh, I shouldn’t have gotten jealous. I’ve known you for years and yet don’t know anything about you…your name. Why won’t you tell me your name?” She admired its soft shades of gray and how the sunlight danced on its surface, speckled through the trees. She rubbed her hand across its surface.

Zoe turned to look at her throne, “I know! I’ll call you Dusty.”

Dusty sat there pondering its new name as a breeze swirled leaves around them, brushing dust into Zoe’s eye.

“Oh, you don’t like the name? How about Felicia?” She giggled as a downpour began, soaking them both. They laughed together, Zoe and her rock. She leaned down, gave it a kiss, and said, “See you tomorrow, Amon, the hidden one.” And Zoe skipped away.

An Evening with Phineas ACT I, Scene One

An Evening with Phineas ACT I, Scene One

An Evening with Phineas ACT I, Scene One

Act I, Scene One

AT RISE: PIERCE and PAULA, a married couple, are sitting in their living room. PAULA is holding a planner and writing in it, while PIERCE is on his smartphone playing a game.

Living room has a couch and chair, coffee table, a liquor cabinet, shelves with family pictures, magazines and books on the table.  A door to “outside” where people will enter and exit from. Stage Right will be the exit to the outside, Stage Left will be the exit to the other room. Kitchen needs a fridge, cabinets, it has a rectangular table, a desk with a computer.

PIERCE

Honey, I got “Genius” again on Spelling Bee. Boy, I must be a genius. That’s what the game tells me (sarcastic; laughs).

PAULA

(Facetiously) Oh, sure you are. A real genius.

PIERCE

Let’s go in the bedroom and screw.

PAULA

What? The kids are in the other room.

PIERCE

Boring! Come on, Paula, you are so dull. It’s the same thing every day.

PAULA

Speaking of that, can you take the garbage out?

PIERCE

(Stands up) What the hell, Paula? I just asked you to have sex with me, and you want me to take out the garbage? If that isn’t a metaphor for our marriage.

PAULA

Pierce, watch your language. The kids will hear you. And I’m sorry. I guess that was thoughtless of me.

PIERCE

That’s an understatement. Jesus, Paula. Something’s got to give. I mean, we’ve been together for twenty years. It’s turned into the same shit routine day after day. 

PAULA

(Annoyed) Pierce, what can I say? I work, take care of the kids, pay bills, and clean. I’m kind of tired, don’t you think?

PIERCE takes her in his arms; lovingly, PAULA leans into him.

PIERCE

I know, Paula. You need a break. I want to take you away from all of this.

PAULA

I can’t go anywhere right now, you know that. The taxes are due next week.

PIERCE

Paula! For God’s sake. Humor me a little. How about I pour you a drink (Walks to the cabinet)? Come on, just a little; it will help you relax. (Beat) Ha! We should get trashed like the old days. Remember that? We stayed up all night—

PAULA

I know, I know, no need to say it. Give me a break, Pierce, we aren’t 25 anymore. We have obligations; we have children!

PIERCE

And we aren’t 100, either. Come on, live wild.

Looking into her eyes, holding her hands.

Like you used to be. (Beat) You’re so dull these days.

PAULA

I know, I’m sorry. I’m just stressed out right now. Once I finish these damn taxes, I’ll feel more like myself, I promise.

PIERCE

But there’s always something. You need to let go of some of that worry. The tasks aren’t going anywhere; they’ll still be here tomorrow. You can leave it one day.

PAULA

That’s just the problem. It(emph.) will all be there tomorrow. Can’t you take the kids to their activities today so I can work on the taxes?

PIERCE

Paula, come on, when did it get like this? It’s like we wake up to the same broken record every day: ‘Take the garbage out’; ‘Can you go to the store?’; ‘Did you pick up the mail?’ I’m not in this world for mundane bullshit. (Urging) Come on, Paula, we’re in our forties; we aren’t dead. You’ve got to be spontaneous; live a little!

He grabs her and kisses her passionately; she pushes away from the embrace. She has tears in her eyes. She moves to the kitchen, and he follows her.

PAULA

Not now, Pierce. I’m sorry I disappoint you. I have laundry to do and dinner to prep; the kids have their games today. What time is it? (She looks at the time.) Shit, I have to get ready. I don’t have time for this right now, Pierce.

PIERCE

Damn, Paula. You are killing me. I feel like I am suffocating. 

PAULA

I know. I’m sorry. But I have to get the boys ready.

PIERCE comes up behind PAULA, trying to kiss her on the neck while she prepares sandwiches and snacks, putting them into a cooler bag. There’s a heaviness in the air; they love each other, but both feel sad and stuck.

PAULA

(Wiping a tear) Not now, Pierce. I’m sorry. I promise we can put the boys to bed and have a drink together as soon as I’m done with the taxes.

PIERCE

OK, OK, but there’s always something, Paula. You’re lucky to have me.

PAULA

I know. Thanks for understanding. I do love you. (Beat. Calls out) PATTEN! PAXTON!

ENTER PATTEN and PAXTON Stage Left, dressed for soccer.

PATTEN

Hey Mom, what did you pack to eat? 

PAULA

Ham and cheese for you.

PAXTON

(Whining) What about me? I hate cheese.

PAULA

Please don’t say hate. It’s a terrible word. I know you don’t like cheese, don’t worry. Come on, let’s go. Say bye to your dad.

PATTEN

Bye, Dad.

PAXTON

Bye, Daddy.

PAULA

Bye, Pierce. I love you. We’ll be back around 4:00. 

PIERCE

(Subdued) Yeah, have a good day, guys.

EXIT PATTEN, PAXTON, and PAULA Stage Left.

BLACKOUT

Black and white photo of a tattooed man sitting in a leather armchair, lighting a cigar. Text: Finding the Spark, one marriage at a time.Text SPARK to: THE-HOT-NITE. (don't actually text)

Synopsis: An Evening with Phineas delves into the complexities of long-term marriage, desire, and the allure of the unconventional. Pierce and Paula find their relationship stagnating in routine, leading Pierce to enlist the help of Phineas, a charismatic “Marriage Mentor” with unconventional methods. Phineas’s arrival disrupts their complacency, forcing Pierce and Paula to confront buried insecurities and deep-seated desires.

Through sharp dialogue and compelling character dynamics, An Evening with Phineas invites audiences to reflect on the complexities of love, the fragility of trust, and the pursuit of personal fulfillment.

A Tangle of Keys and Kisses

A Tangle of Keys and Kisses

A Tangle of Keys and Kisses

This experimental triptych presents three short stories intertwined through variations of the same core sentences. Each tale shifts in tone and perspective, weaving together humor, competition, and absurd drama while remaining anchored by shared pivotal moments.

Story One

Trixie climbed to the top of the dome and screamed, “I found the key!” Jan and Bill cheered; now they would be able to get into the storage room to get the tools they needed. Susan was mad. She didn’t want Jan and Bill to compete; she knew it would be a bad idea. Still, Trixie climbed down from the top of the dome, walked over to Jan and Bill, and said, “Good luck. May the best person win. And whoever wins gets to take me to bed.”

Jan and Bill looked at each other and smirked. Jan licked her lips, and Bill tapped his feet in a little dance. Suddenly, Susan squirted Sam’s hot dog with red, juicy ketchup. Sam looked at Susan, astonished at her audacity.

“What are you doing, Susan? I always put the relish on first, then the onions, then the mustard, and then the ketchup!”

Susan blushed. “Sorry, Sam. I got a little excited once I realized we are going to do this thing. I haven’t had such an exciting event since the last time Dick Clark did the New Year’s countdown.”

Everyone walked over to the racetrack, and Jan and Bill ran through the finish line at the exact same time. It made history, and everyone would talk about it for years.


Story Two

Jan and Bill ran through the finish line at the exact same time. It made history, and everyone would talk about it for years. Susan looked at Sam and said, “What do you think they’ll do? Will Trixie have to sleep with them both?”

Sam shrugged. “I don’t know. I guess they’ll have to decide that.”

Susan rolled her eyes at Sam. He never committed to anything.

Trixie walked over to the dome. She climbed to the top and screamed, “I found the key!”

Everyone looked up at Trixie and gasped.

“Trixie, get down from there! Throw away the key, and don’t let them find it. You’re asking for trouble,” shouted Susan.

She started frantically packing hot dogs into their buns and placing them in a line on a plate. She searched for the ketchup bottle, finally finding it on the ground. Picking it up, she wiped off the dirt. Suddenly, Susan squirted Sam’s hot dog with red, juicy ketchup.


Story Three

Suddenly, Susan squirted Sam’s hot dog with red, juicy ketchup. Sam looked at Susan intently, picked up the mustard bottle, and squirted Susan’s hot dog with golden, spicy mustard.

Susan laughed. “Oh, Sam. You do make me smile. I love the way you squirt my hot dog with mustard. Hey, should we take our hot dogs into the house and find a bedroom?” She winked at Sam.

He threw down his hot dog, grabbed Susan, and kissed her, right in front of Jan and Bill.

Jan and Bill could not believe their spouses were smooching in front of everyone. They ran through the finish line at the exact same time. It made history, and everyone would talk about it for years.

Susan and Sam snuck off to the bedroom and locked the door. Jan and Bill stopped celebrating and got everyone’s attention.

Everyone started looking for the key. They searched high and low, far and wide.

Trixie climbed to the top of the dome and screamed, “I found the key!”

Everyone cheered, and Bill ran over to Trixie. “Throw it down!” he said.

Trixie tossed the key to Bill.

“You’re not going to do anything crazy, are you?” she asked.

“I’m going to kill them. They humiliated me.”

Bill ran toward the house with the key, and Jan ran after him, jumping on his back and sending him to the ground.

“Bill, I can’t let you do this. You’ll regret it.”

“Get off me, Jan!” Bill shouted, struggling beneath her.

Trixie ran over with a shovel and hit Bill over the head. He passed out—or died.

“Shit, is he dead?” Trixie asked.

“God, I hope not, Trix. Why’d you do that?” Jan asked.

Trixie replied, “Because I’m pregnant with Bill’s baby, and he said he wasn’t going to leave Susan for me.”